Think about the word “robot”. What do you think of first?
What is the functionality of what you’re imagining? Do you view robots as a
tool to make our lives easier? Or do you see robotics as a medium of creative
expression?
I doubt that many people think the latter when they hear the
generic term “robot”. However, despite the stereotypes that many of us picture
when we think robot, robots have always served a medium of art, and today have
the potential to create their own expressions of creativity.
An interesting subject when exploring the realm of robotics
is the idea of acceptance. Alex Proya’s film I, Robot explores the different attitudes towards artificial
intelligence and begins the blur the line between man and machine. In the film,
the apparent emotion and altruism of the robots are ultimately what win society
over, however, the protagonist only begins to accept these forms of AI once one
robot displays agency and the ability resist conformity.
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Fred Abels explores similar topics through his work. His lifelike, replication of a homeless man DIRK, challenges people to question what makes us human. Most people could not tell that DIRK was a robot at all, and ironically enough, once they realized that he was a robot, paid him more attention than a human would have received.
Artificial intelligence has also paved the way for robots to
create art of their own and improvise in
interesting ways. In Ken Feingold’s piece The
Animal, Vegetable, and Mineralness of Everything, three robot heads engage
in an unscripted philosophical debate about “the thing” that lies before them and
their existence. They express their fears and unique thoughts as they interact
with one another. In addition to this “philosophical” improvisation, robots are
being designed to create visual art. In 2002, the first annual Artbots talent
show took place, showcasing the creative abilities of many different robots.
Lastly, technology has allowed us to tether music and
technology. Fred Abels, has also created a piece called Pyrobass, which shoots different colored flames in sync with music
and also alters the sound of the piece.
Works Cited
Ables, Fred. "DanceMachine En Pyrobass." Fabels. Rob Verdegaal, 1 Jan. 2002. Web. 20 Apr. 2015
Ables, Fred. "DanceMachine En Pyrobass." Fabels. Rob Verdegaal, 1 Jan. 2002. Web. 20 Apr. 2015
"DIRK." Electic Circus.
Fred Abels and Mirjam Langmeijer, 7 Sept. 2008. Web. 20 Apr. 2015.
Documentation
Clip of "The Animal, Vegetable, Mineralness of Everything" by Ken
Feingold (2004). Youtube, 2011. Film.
Feingold,
Ken. ""The Animal, Vegetable, Mineralness of Everything" Ken
Feingold 2004." Ken Feingold Notes on Recent Works. Ken
Feingold, 1 Jan. 2011. Web. 20 Apr. 2015.
I, Robot. Twentieth Century Fox Film
Corp, 2004. DVD.
Repetto, Douglas. ArtBots: The Robot
Talent Show. 25 May 2002. Web. 20 Apr. 2015.


Hi, William. I've never seen the piece "The Animal, Vegetable, and Mineralness of Everything" before. It is definitely interesting to see how the three robot heads engage in a debate and express their thoughts.
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